Instruments
Carnatic instruments
The eleven principal instruments of a modern Carnatic concert — voice at the centre, melodic accompaniment, percussion, drone, and the temple wind tradition. Every exponent listed has confirmed dates from the standard published references.
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Voice
6 exponentsalso: manuṣya-vīṇā · gātra-vīṇā
VocalLead vocalThe instrument that is the body itself — śarīram. In Carnatic theory the voice is the manuṣya-vīṇā, the 'human stringed-instrument,' and every other vādya is understood as an approximation of it.
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Violin
6 exponentsalso: vāyalin · Carnatic violin
Bowed stringMelodic accompanimentFour-string bowed lute, identical in construction to the Western violin but held in the Indian posture — seated cross-legged with the scroll braced against the ankle so both hands are free to ornament freely. Tuning is Sa-Pa-Sa-Pa (1st–4th strings).
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Mṛdaṅgam
3 exponentsalso: mardala · mridanga
Membrane percussionPrimary percussionDouble-headed barrel drum, single-piece jackfruit-wood body. Right head (toppi / valantarai) tuned high and tempered with a permanent black patch (karaṇai) of rice paste and iron filings. Left head (eḍumtarai) tuned lower, conditioned before each performance with a wheat-flour paste that is removed when playing ends.
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Ghaṭam
2 exponentsalso: ghatam · ghat
IdiophoneSecondary percussionA wheel-thrown clay pot with a specific mix of brass-filings clay that produces a deep, pitched tone. The player rests the open mouth against the abdomen and strikes the body, rim, and neck with the fingers and palms.
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Kañjirā
2 exponentsalso: kanjira · ganjira
Membrane percussionSecondary percussionSmall frame drum, ~17 cm in diameter, jackfruit-wood frame with a single skin head and three or four small jingles. Players moisten the skin during play to dynamically retune.
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Morsiṅg
also: morchang · mukharsanku
IdiophoneSecondary percussionSmall iron horseshoe-shaped frame with a thin metal tongue. The player presses the frame against the teeth and flicks the tongue with a finger; pitch is shaped by changing the volume of the oral cavity.
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Tampura
also: tanpura · tambura
Drone stringDroneLong-necked four- (sometimes five- or six-) stringed lute, played open-string only, plucked in slow continuous rotation. The jīvāḷi cotton thread under each string at the bridge produces the characteristic shimmering overtone (jīvā) that gives the drone its sustain and colour.
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Sarasvati Vīṇā
5 exponentsalso: Tanjore vīṇā · Mysore vīṇā
Plucked stringMelodic leadSingle-piece jackfruit-wood body about 1.3 m long, with 24 fixed metal frets and a large hemispherical resonator at one end. A secondary gourd (tumba) at the upper neck rests on the player's lap and provides additional resonance. Four main strings + three side (talā) strings.
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Veṇu
3 exponentsalso: Carnatic flute · kuzhal
WindMelodic leadTransverse bamboo flute. The Carnatic concert flute has 8 finger-holes (vs. the typical 6–7 on the Hindustani bāṃsuri) — the extra holes allow the full range of gamakas required for Carnatic ornamentation. Concert flutes are tuned across a wide pitch range from C# (the highest, used for fast pieces) down to A (the deepest, used for slow ālāpana).
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Nāgasvaram
4 exponentsalso: nāḍasvaram · nagaswaram
WindTemple / ceremonialDouble-reed instrument about 75 cm long, made of acha wood with a flared metal bell. Seven finger holes plus five drone holes (which the player can plug with wax to alter the scale). Loud enough to project across temple courtyards. Players use circular breathing to sustain phrases.
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Tavil
1 exponentalso: tavul
Membrane percussionTemple / ceremonialCylindrical wooden barrel drum, ~32 cm long. Right head played with the bare hand (with finger thimbles for sharp attack); left head played with a short stick. The instrument is strapped across the player's chest while standing.
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The Carnatic violin uses the same physical instrument as the European one but holds it differently and tunes it Sa-Pa-Sa-Pa — Bāluswāmi Dīkṣitar, the brother of Muttuswāmi (see Composers · Dīkṣitar), introduced the adaptation in the early 19th century.