Cintāmaṇi
Janya of Ṣaṇmukhapriyā (56) — vakra-sampūrṇa in practice
Reflective, rakti-laden
✓ Verified against Sambamoorthy, South Indian Music Vol. IV — Cintāmaṇi· 2026-07-02How we verify
Ārōhaṇa (ascending)
- S
- R₂
- G₂
- M₂
- P
- D₁
- N₂
- Ṡ
Avarōhaṇa (descending)
- Ṡ
- N₂
- D₁
- P
- M₂
- G₂
- R₂
- S
Signature phrase
S G₂ R₂ G₂ M₂ P D₁ N₂ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Listen to Cintāmaṇi
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Kṛtis in this rāga· 2 entry across 1 composer
Śyāmā ŚāstriCarnatic Trinity (Tri-mūrti) — the foundational period · 2 kṛtis
- Dēvi Brōva Samayamidē · Rūpaka Tāla · 56 BPM
- Dēvī Brova Samayamide · Ādi Tāla · 72 BPM
Tip: open the raga × composer cross-search on /composers to explore any other raga.
Similar ragas
No Parijat notes for this raga yet — the catalog covers 77 of 81 living ragas.