Latāṅgi
Melakarta 63
Bright with the prati-madhyama tension
Venkatamakhin ṛāgaṅga· Dikshitar kriti tradition
✓ Verified against Sambamoorthy, South Indian Music Vol. IV — Latāṅgi (mela 63); iOS KarunattuPro Core/Raga/Ragas (RagaInfo, audited 2026-07-08)· 2026-07-08How we verify
Ārōhaṇa (ascending)
- S
- R₂
- G₃
- M₂
- P
- D₁
- N₃
Avarōhaṇa (descending)
- N₃
- D₁
- P
- M₂
- G₃
- R₂
- S
Signature phrase
S R₂ G₃ M₂ P D₁ N₃ Ṡ
The pakad (catch-phrase) is the 4-8 svara motif that defines this raga's identity. Internalise this phrase first — it's what your ear reaches for when the raga returns to its home base.
Listen to Latāṅgi
Arōhaṇa-avarōhaṇa exposition with tampura drone.
Kṛtis in this rāga· 2 entries across 2 composers
Śyāmā ŚāstriCarnatic Trinity (Tri-mūrti) — the foundational period · 1 kṛti
- Marivērē Dikku · Rūpaka Tāla · 64 BPM
Harikēśanallur Muttiah BhagavatarPost-Trinity — Creator of Hamsadhvani · 1 kṛti
- Himagiri Kumārī · Rūpaka Tāla · 68 BPM
Tip: open the raga × composer cross-search on /composers to explore any other raga.
Similar ragas
No Parijat notes for this raga yet — the catalog covers 77 of 81 living ragas.